Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach over an organisational system of work, after the model of
industrial production and totalitarism, collective spirit,
with ideology, which means: not the individual, but the
speaks. Our work is industrial, our language political. is a
recognition of universality. Its organisational activity is an
intense and a constant systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One and a multitude of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and complicated situations,
the antagonism in society is becoming strained, only force as the
ultima ratio of social integration. The must adopt the form of
systematic, and psychic terror, organized in accordance with
social relations. Terror is a function of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic becomes a
instrument of authority. Through the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
through stage of ritualized demonstration of political power,
and other manipulative means of an individual, Laibach practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in order to effectively and raise a
of total adherence bond of a certain, revolted and alienated
audience, which in a state of collective [athasia?], which is the
of social organisation. In this sense, the function of Laibach,
sound constructions, and of rock is to challenge collective
emotions and automatic associations, and as it serves as the means of
working stimulation. By darkening the mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every of individuality, it melts the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and receiver's structure uncovers the neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
form, but the material of Laibach, manipulation of self, remains an
industrial art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most means of media manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it stimulates mechanism, and shapes
industrialisation of consciousness, is necessary in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]