Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an system of work, after the model of
industrial and totalitarism, collective spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
of time universality. Its organisational activity is an
intense agitation and a constant propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative of strict institutionality, identification with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is strained, only force remains as the
ultima ratio of social integration. The must adopt the form of
systematic, physical and psychic terror, organized in with
social relations. Terror is a function of productional power,
which discipline and an adaptation of the mass, to the existing
productional relations, and the productional apparatus. For the
totalitarian form of government, the terror becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an ambivalence between and
fascination, which rudimentarily the consciousness of people,
through stage performances of demonstration of political power,
and other manipulative means of an individual, Laibach practises a
sound force, in a form of systematic, psycho-physical as social
organisational principle, in order to discipline and raise a
feeling of total adherence bond of a certain, revolted and
audience, results in a state of collective [athasia?], which is the
principle of social organisation. In this sense, the of Laibach,
sound constructions, and of rock concerts is to collective
emotions and associations, and as such it serves as the means of
working stimulation. By darkening the mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, collective body. The dualism of
message, and receiver's structure uncovers the social neurosis.
unites the biters and antagonistics into an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
form, but the material of Laibach, manipulation of self, remains an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical form of the organised rhythmicity of technicist
production, and as such the appropriate means of media manipulation.
As an structural basis of the collective unconscious in a
worker mass, it stimulates automatic mechanism, and
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]